The Critics on "A Streetcar Named Desire"

Union Avenue Opera's production of A Streetcar Named Desire concludes its run this weekend. Here's a sample of what Sarah Bryan Miller of the St. Louis Post-Dispatch, Gerry Kowarsky of Two on the Aisle, Steve Callahan of BroadwayWorld, Gary Scott of KDHX and Mark Bretz of Ladue News have to say about the production. [NOTE: More reviews to come. Stay connected to this blog for later updates.]

Sarah Bryan Miller:

"...a musically and dramatically worthy production of André Previn's 'A Streetcar Named Desire'... 

Lacy Sauter captured the character of Blanche...[her] voice is lovely and well-produced...She made the most of her aria “I want magic,” a beautiful moment in a largely generic score... Katherine Giaquinto is clearly a performer with a future; she is vocally and dramatically secure, attractive and thoroughly musical... Bernardo Bermudez was an appropriately hunky Stanley, with a big, burnished baritone and excellent diction... Anthony Wright Webb’s Mitch was beautifully drawn and sung...He offered both a lovely lyric tenor and believable heartbreak... Conductor Kostis Protopapas had a sure grasp of the score, and led his forces with clarity and energy, in a notable performance... UAO’s small stage was perfect for this intimate production. Set designer Kyra Bishop used it well... Teresa Doggett’s authentic costumes suited the characters admirably... Stage director Christopher Limber used the cast and the set to good advantage."

Gerry Kowarsky:

"The Union Avenue production is so strong... Kostis Protopapas draws fine playing from the orchestra while keeping the sound and balance with the voices at a pace which fits the action... Lacy Sauter's Blanche DuBois is beautifully sung and highly sensitive to her emotional states... Bernardo Bermudez has the swagger of Stanley Kowalski... Katherine Giaquinto's Stella Kowalski is believable both as Stanley's and Blanche's sister... Anthony Webb admirably projects the sweetness and naiveté that sparks Blanche's interest and makes Mitch vulnerable to her artfulness... Kyra Bishop's set...cleverly uses all the space available on the Union Avenue stage... The opera is a worthy evocation of the story's emotions...

If you have any interest at all in the opera, now is the time to see it. Who knows when our next chance will be?"

Steve Callahan:

"'Streetcar' ranks at the very top of the many Union Avenue productions I've enjoyed... 

Scenery by Kyra Bishop and lighting by Sean Savoie beautifully fulfill everything one might wish for this classic Williams drama... Costumer Teresa Doggett...continues her long tradition of perfection... [S]tage director Christopher Limber creates what to me is the best staging of any production I've seen at Union Avenue... Lacy Sauter, as Blanche, and Katherine Giaquinto, as Stella, both have gorgeous clear lyric soprano voices... Miss Sauter shows a wonderfully mature control and subtlety...[Giaquinto's] serenely blissful vocalise after that reconciliatory night with Stanley is one of the high-points of the evening... Baritone Bernardo Bermudez is very much at home in the role of Stanley...a splendid job... [Anthony Webb's] pure and smooth voice perfectly convey's Mitch's shy gentleness... Johanna Nordhorn, as the neighbor Eunice, merits a special nod of praise... Kostis Protopapas deftly leads his singers and orchestra into a performance of great beauty..."

Gary Scott:

As always, Union Avenue provides a first-rate production... Lacy Sauter and Katherine Giaquinto...are both gifted with powerful and unfailing voices, unwavering in accuracy... Bernardo Bermudez and Anthony Wright Webb [both] resonated with warmth and vigor, exuding a rugged yet vulnerable rawness that just might have pleased Tennessee Williams... Kostis Protopapas...held together onstage and below an eclectic score that fused together classical harmony with occasional forays into jazz, Impressionism and atonality...

This is an opera worth seeing, and worth pondering... The tormented and searching characters brought to life by Tennessee Williams, whose creative spirit was in part forged in St. Louis, bring us face to face with the underside of human life that resides uncomfortably among us and, sometimes, within us.

Mark Bretz:

"...a strong and sobering production under the incisive direction of Christopher Limber in his Union Avenue Opera debut... Limber and conductor Kostis Protopapas quickly immerse the audience into the drama with Previn’s sometimes brash, sometimes mournful composition... Kyra Bishop’s scenic design and props beautifully set the table for Williams’ nuanced dialogue...[her] eye for detail supplements the sorrowful tale... Bernardo Bermudez and Katherine Giaquinto share sparks of chemistry that show how Stanley’s primordial impulses brings out Stella’s lusty, earthy nature... Lacy Sauter also is highly effective as she fills Blanche with delusions of grandeur and affectations of elegance that hide her sordid past... Anthony Wright Webb is particularly noteworthy...His singing is tender and heartfelt, making Mitch in some ways the most affected character of all...

Union Avenue Opera’s presentation of A Streetcar Named Desire demonstrates the versatility of Williams’ classic tale of misbegotten love and emotional instability in compelling fashion... Rating: 5 on a scale of 1-to-5."

A Streetcar Named Desire concludes its run this weekend: August 8 and 9 at Union Avenue Opera, 733 N. Union Blvd. Performances begin at 8:00pm. Production sung in English with projected English supertitles. Tickets may be purchased online at www.unionavenueopera.org or by calling 314-361-2881.